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Ear Wiggler (LEFT and RIGHT), 2015. Dried corn, drawing, aluminum, duct fan parts, modified shoebox lid, wood, wire, and timer, dimensions variable.
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Untitled (Air Sampler), 2017. Installation view. Buffed aluminum, steel rods, hinges, bar, mounts, magnets, rivets, carriage bolts, and Cabograph 5 Air Sampler, 30 x 18 x 2 inches.
Born: Malden, Massachusetts, 1993
Resides: Los Angeles, California
Education: UCLA (B.A., 2014)
Selected Solo Exhibitions
2018
“Staging Grounds,” M+B, Los Angeles (April 7–May 12).
2017
“Collection Sites,” Chicken Coop Contemporary, Portland, Oregon.
2016
“Cir Squirrel,” VI Dancer, San Francisco.
“The Multi-Directional Elevator,” Chapter, New York.
“Two Clocks,” Loyal, Stockholm.
2014
“Potential Derivatives,” M+B, Los Angeles.
“Trios,” Retrospective, Hudson, New York.
Selected Group Exhibitions
2016
“Default,” Honor Fraser, Los Angeles.
“Pure Boar Bristle and Nylon Tufts,” Podium, Oslo, Norway.
2015
“Blocking,” Martos Gallery, Los Angeles.
“Russian Doll,” M+B, Los Angeles.
“The Reason We No Longer Speak,” Fahrenheit, Los Angeles.
2014
“Passive Collect,” Chin’s Push, Los Angeles.
“Liminal Sunday,” Satellite Space, Los Angeles.
“Slippery,” Martos Gallery, New York.
“Special Madness,” David Shelton Gallery, Houston.
“New Systems, New Structures 001,” William Arnold, Brooklyn.
“The Stuff That Dreams Are Made Of,” Clearing, Brooklyn.
2013
“Surface Area,” Favorite Goods, Los Angeles.
Selected Bibliography
2016
Wells, Emily. “Jesse Stecklow,” Flaunt (July).
Hinton, Kyle Thomas. “Default @ Honor Fraser Reviewed,” AQNB (May).
Bacon, Alex. “Surface, Image, Reception: Painting in a Digital Age,” Rhizome (May).
2015
Mooney, K.r.m. “Something Adaptable,” Mousse (May).
2014
Diehl, Travis. “Passive Collect,” Artforum (July).
Schwendener, Martha. “Chasing a Dream an Unalloyed Ethos,” New York Times (April 3).